{"id":51763,"date":"2018-08-31T11:44:14","date_gmt":"2018-08-31T14:44:14","guid":{"rendered":"https:\/\/jazzbrasil.guru\/?page_id=51763"},"modified":"2019-08-01T11:45:12","modified_gmt":"2019-08-01T14:45:12","slug":"brazilian-rhythmics-applied-to-piano-the-method","status":"publish","type":"page","link":"https:\/\/jazzbrasil.guru\/en\/brazilian-rhythmics-applied-to-piano-the-method\/","title":{"rendered":"Brazilian Rhythmics applied to Piano – The Method"},"content":{"rendered":"

Brazilian Rhythmics applied to Piano<\/h1>\n

The Method<\/h1>\n<\/div>

by Fabio Torres, pianist with Trio Corrente, owner of two Grammy Awards<\/h4>\n<\/div>
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This method of Brazilian rhythmics applied to piano fills a gap in Brazilian popular music learning.<\/p>\n

You can find much text on harmony and Jazz improvisation, but few options for the student to go beyond in rhythm.<\/p>\n

This is so true that in Classical music, which comprises the work of the great European composers about piano technique, more often than not, there’s a difficulty among musicians to understand modern rhythm in popular music.<\/p>\n

This method is compounded by 69 exercises and three etudes in which both hands have the same obligation: every rhythm you play with the right hand will be played with the left hand.<\/strong><\/p>\n

You will face progressive challenges until you get to the last group, working your fingers on a myriad of rhythms with independence.<\/p>\n<\/div>

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1. The Idea<\/h3>\n<\/div>